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The Conference Room Problem Nobody Talks About Every year, companies spend billions of dollars upgrading their corporate spaces with new audio and visual technology. New display systems. Video conferencing infrastructure. Immersive presentation environments. Digital signage. Integrated speaker arrays. The technology has never been more capable, more sophisticated, or more expensive. And yet a remarkable number of these installations don't work the way anyone expected. The scr

The Most Expensive Mistake You Can Make on a Film Set Is a Surprise There is a moment that every filmmaker dreads. You've spent weeks in pre-production, you've assembled your crew, you've secured your locations, and then you arrive on set and realize — the shot you imagined in your head doesn't work in the space in front of you. The angles are wrong. The room is too small. The lighting setup you planned won't fit. And the clock is already running. Every minute you spend solvi

​ To understand why two Auggie Awards matter, it helps to understand what they are. The Auggies, presented annually at the Augmented World Expo, are widely considered the XR industry's highest honor — the equivalent of an Oscar for the world of augmented and mixed reality. Since 2010, they have recognized the most innovative and technically accomplished work in a field that sits at the intersection of technology, design, storytelling, and human experience. ​ Winning once is a

Four Feature Films. Three Commercials. One Through Line. There is a moment on every film set when the vision of a project either holds together or begins to unravel. It happens quietly — in the gap between what was planned and what is actually possible given the time, the budget, and the people standing in front of you. Most filmmakers feel that moment. A line producer lives in it. Ean Mering has spent the better part of a decade living in that moment, and getting projects th